How many productions do you think have technical advisors?
Well, I have no real idea, but don’t most studios have specific people to handle the various prop guns? I mean they don’t just go down to the local gun shop pick up a new handgun and a box of blanks. There has to be someone that knows at least a little bit about firearms. The problem is many of the sound effects are inserted later by an entirely different team, so it would seem that is where the problem occurs.